Avishai was born in Kabri, a kibbutz in northern Israel, and he has both Spanish-Jewish, Greek-Jewish and Polish-Jewish ancestry.
He grew also up in a musical family at Motza and Beit Zayit near Jerusalem until the age of six, when his family moved to nearby Shoeva.
And like many great jazz-player so did he began to play piano before he was 10-years old.
But for some reason so was it more fun to play bas.
So he chached over to the bass guitar when he was 14 after he had heard Jaco Pastorius.
Whose music was introduced to Cohen by a music teacher in St Louis, Missouri, where he had moved with his family as a teenager.
In 2000, as the Hezbollah organization takes over Lebanon, Yossi, a Lebanese soldier, helps his friend Fouad to flee the country in order to avoid punishment, as he’s been working against them for 16 years. Fouad takes refuge in Israel with his daughter, Tanya. A few years later, a new war breaks out in Lebanon, causing tensions at the Israeli border. Yossi’s wife, Myriam, decides to go there and asks for Tanya’s help to look for their soldier son, who hasn’t given sign of life since then. This journey will allow the two women to share their sorrows and heal together.
There are some rock 'n' roll stories that you just couldn't make up. From moments of absolute genius to moments of downright stupidity and outrage. Stories told from some of the biggest names in bass.
The internationally renowned bassist, singer and composer Avishai Cohen performs in an exclusive concert from the Maillon theatre in Strasbourg. Accompanied by drummer Roni Kaspi and pianist Elchin Shirinov, the jazzman presents his forthcoming album Shifting Sands.
Every year, thousands of Israeli men leave their families to spend Rosh Hashanah where Rabbi Nachman is buried. After Yair and his wife endured a personal tragedy, he decided that he needed to join this annual pilgrimage.
Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he's a Gallic James Brown, and a morose, micromanaging groom determined to make Max's night as miserable as possible. But what makes the affair too bitter to endure is that Max's colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It's going to be a very long night… especially once the groom's aerial serenade gets underway.
Avishai Cohen, who became well known in the jazz world during his period with Chick Corea, is one of the top bassists in the world. His virtuosity and constant creativity in both a modern mainstream format and on funkier grooves seem effortless. As Is...Live at the Blue Note contains a CD (the first seven selections) and a DVD. "Smash," "Feediop," the ballad "Remembering" and an overlong "Caravan" (the one non-original) are featured in both formats while three songs are different. Cohen takes many solos and is always a prominent force in the ensembles. Pianist-keyboardist Sam Barsh and drummer Mark Guiliana communicate very well with Cohen while trumpeter Diego Urcola and tenor soprano saxophonist Jimmy Greene add plenty of fire during their guest appearances