atau dikenal sebagai
At a young age she went to Barcelona where she studied theater in the "Instituto del Teatro" with Marta Grau.
She debuted in theater in 1944 in Barcelona and in 1948 in the "Teatro Espanol de Madrid".
She married a Mexican medical doctor, temporarily interrupting her career.
In 1967 she came back to Spain and started working again.
What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
This movie doesn't have any coherent plot. It's the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how they manage to survive in a country desolated by the war. Like other films: La colmena or Roma (Fellini) it shows us lots of characters and some moments of their lives.
Sister Angela and Sister Mary park his van in front of a bank branch. They enter the bank and with the weapons hidden under their habits, commit the robbery of the century, to the astonishment of all employees and customers. After thorough police investigation the two nuns are arrested, but then appears Trini, twin sister of one of them and now all is not so clear. Were the nuns who committed the robbery?
This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.
Following the death of her uncle, Elisabeth returns to her family's castle for the reading of his will. She is informed of legends about the castle's ghost and experiences erotically charged nightmares, before being kidnapped by a hooded figure and tortured in the dungeon. Meanwhile, her boyfriend Jack suspects a plot to gain Elisabeth's inheritance and begins his own investigation...
Italy, 1972. Political elections are taking place and Christian Democrat victory is expected; but the electronic computer of the Ministry of the Interior reveals that the party with the highest number is the Italian Communist Party.
Ramon and his bandit gang launch an attack on Danger City, searching for rumoured hidden treasure and unable to find the loot either kill or take as hostage all the men, leaving only the women and children to produce the treasure or face 'Deguello' - an attack with no quarter. Four men arrive in town searching for Ramon and agree to help protect the town from the bandits.
Ramiro, a bank clerk and father of two young children, has been left, after his wife's death, in the care of Tula, his sister-in-law. From the novel by Miguel de Unamuno, Miguel Picazo (" Dark dreams of August ") premieres as director with this portrait of one of those small provincial cities where nothing ever happens.
In the fall of 1824 Javier Montenegro, Bradomin Marquis is spared death hanging by Captain Casares, and in return, the Marquis agrees to help him escape to America. Adaptation of "Sonata de Otoño" and "Sonata de Estío" of Ramón María del Valle-Inclan, which included elements Bardem later works of the author.
1808. During the Spanish Independence war the city of Zaragoza is besieged by French troops. Spanish forces under General Palafox are scarce. Brave Agustina doesn't hesitate to lead the battle and even fire a cannon to stop the invaders when others run away. Based on historical facts.
The passion that Joan of Castile, daughter of the Catholic Kings and heir to the throne, feels for her husband, Philip the Handsome, sovereign of the Netherlands and son of Maximilian of Austria and Mary of Burgundy, is not reciprocated. Her temperament, her jealousy and an unexpected tragedy will throw Joan into the dark realm of madness and obsession with death, the only realm where she will be a true queen…