detail profile assad zaman
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Assad Zaman is an English actor born on May 9, 1990.
He grew up in Newcastle upon Tyne, England, and his parents immigrated from Bangladesh in the 1980s.
He studied acting at the Manchester School of Theatre, graduating in 2013.
Zaman has built a strong career in both theatre and television.
He made his London stage debut in 2014 and has appeared in several notable productions, including Behind the Beautiful Forevers, White Teeth, and A Doll's House.
His television roles include Apple Tree Yard (2017), Hotel Portofino (2022–2023), and Interview with the Vampire (2022–), where he plays the vampire Armand.
In addition to acting, Zaman has ventured into writing and directing.
His short play Laundry was produced in 2021, and in June 2024, he made his directorial debut with The Fox and the Grapes.
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Peran Yang Di Mainkan Assad Zaman
Ash awakes to find his apartment...The Fox and the Grapes 2024
Ash awakes to find his apartment ransacked and a mysterious stranger trapped on his roof terrace. Who is she? And why can't he recall the events of the night before? Tensions rise to a climactic altercation, prompting the stranger to share a fantastic tale. Inspired by the Aesop fable of the same name.
Magnus has a side hustle He...We Work for the Dead 2024
Magnus has a side hustle. He drives for The Night Mail, which isn't a bad gig, if you don't mind being possessed. What is the Night Mail? A delivery service with a dark secret - working for the dead.
Set across a span of 16 years...RSC Live: The Winter's Tale 2021
Set across a span of 16 years, from the coronation to the moon landings, a new production of Shakespeare's play, staged for the screen by the Royal Shakespeare Company.
Niru is a young Bengali woman...A Doll's House 2019
Niru is a young Bengali woman married to an English colonial bureaucrat – Tom. Tom loves Niru, exoticising her as a frivolous plaything to be admired and kept. But Niru has a long-kept secret. And just as she thinks she is almost free of it, it threatens to bring her life crashing down around her. Tanika Gupta reimagines Ibsen’s classic play of gender politics through the lens of British colonialism, offering a bold, female perspective exploring themes of ownership and race.
