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From Wikipedia, the free encyclopedia
Armando Bó was an Argentine film actor, director, producer, screenwriter and score composer of the classic era.
He is mostly known for his sexploitation films in the 1960s and 1970s starring his favorite actress and romantic partner, sex symbol Isabel Sarli.
His works include the first nude scene in an Argentine film (El trueno entre las hojas).
Tomás, who lives in Canada, travels to Madrid, Spain, to visit his old friend Julián. Both of them, accompanied by Truman, Julián's faithful dog, will share many surprising and emotional little moments, triggered by the hard situation Julián is going through, for just a few days.
Ansise is a former Indian whose only dream is to become a mother. The idea of motherhood gradually turns into an obsession for her. Unfortunately, she has married an impotent man. But she tries to get pregnant anyway. She even tries to work as a prostitute and goes to a local witch. But the real problem is that an evil entity called Pombero has fallen with love with her, killing all the men crossing her way.
Reworking of H. Ridder Haggard's SHE with softcore sex star Sarli as the white "goddess" who lives among the tribes of South Africa and can enjoy eternal life as long as she remains a virgin. Enter adventurer Bo and the trouble begins.
Barbara is a sexy stripper, but she is dedicated to her husband. When a rich and above-the-law land-owner orders the murder of her husband to get her, she plans, and conducts, deadly revenge. She starts by intriguing between the rich man and his sons, who also had abused her, so that he has two of them killed, and then she sets out against the actual killers, shooting them herself, and leaving the old lecher and his older son to the last. The final confrontation has some surprises, though.
Laura is a young woman living in a mansion with her maid Andrea. She meets and falls in love with Carlos, a man of high society who sees in her a vivaciousness he so longs to have in his life. But little does he know what troubles lie in store for him. Laura suffers from a dangerous case of nymphomania, desiring any man she lays her eyes on.
The film narrates the encounter between "La Tigra", a woman known by that nickname in the cafes of the port area for her character and her sharp claws, and Luis, a student of Fine Arts. There will be born a strong, passionate and necessarily brief relationship during which each of them will peek into the world of the other, until then unknown, unable to overcome the hostility of the same. Luis is unwilling or unable to leave his bourgeois stability and "La Tigra" is unable to leave an environment in which the malevo Olivera is the dominant figure.
An attempt to bring the famous novel by Dumas to the cinema, where the promenades of Montevideo such as Parque Rivera and the Castillo del Parque Rodó are transformed into French settings.