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Ariane Labed (born May 8, 1984) is a Greek-born French actress and film director.
She is best known for her feature film debut in Attenberg, for which she won the Volpi Cup for Best Actress.
Born to French parents, Ariane Labed lived her first six years in Athens, then six years in Germany.
She arrived in France at 12 years old.
Ariane studied at Provence University, (Deust Basic training in theater, Bachelor of Performing Arts and Master Dramaturgy and scenic writing).
where she co-founded the Vasistas theatre company with Argyro Chioti and went on stage with the National Theater of Greece.
She made her acting debut in Attenberg, a feature film directed by Athina Rachel Tsangari, for which she was awarded the Volpi cup for best actress at the Venice Film Festival.
Ariane went on to feature in a range of French and international projects including Richard Linklater’s Before Midnight, Alice’s Journey by Lucie Borleteau (for which she won Best Actress at the Locarno Festival and was nominated for a César award), The Lobster by Yórgos Lánthimos (winner of the Jury Prize at the Cannes Film Festival) and Assassin's Creed by Justin Kurzel (co-starring Marion Cotillard and Michael Fassbender).
Ariane most recently played the lead role in "Trigonometry", a series for the BBC.
Ariane wrote and directed her first short film "OLLA" presented at the Directors' Fortnight at the Cannes Film Festival 2019 and selected in numerous festivals around the world including Telluride, the BFI London Film Festival and Sundance.
“OLLA” won the Louis le Prince International Short Film award at the Leeds Film Festival in 2019, as well as 3 awards at the Clermont-Ferrand International Short Film Festival in 2020 including the National Grand Prix prize.
Sisters September and July share an intense bond, speaking in a secret language and keeping the outside world at a distance. After September is suspended from school, their mother brings them to a remote house on the Irish coast—where July begins to resist her sister’s increasingly sadistic control.
Joe and Isabel’s marriage is dying when Kitti, a naked stranger found floating in the pool at their holiday villa in Greece, is invited to stay. Kitti collects and eats poisonous plants, and Nina, their teenage daughter, is enthralled by her. What kind of relief can Kitti provide for this family in crisis?
A fascinating insight into the role of the intimacy co-ordinator, told through behind-the-scenes access to new queer French TV show Split.
When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.
A shy but ambitious film student falls into an intense, emotionally fraught relationship with a charismatic but untrustworthy older man.
Dr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor's life in gradually unsettling ways.
Through a technology that unlocks the generic memories of his ancestor in 15th century Spain, Callum Lynch discovers he is a descendant of an ancient line of Assassins and amasses lethal skills to take on the oppressive Templar Order.
Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters but have spent a summer in Greece at the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk.
Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."