detail profile areski nebti

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Areski Nebti

Arezki Nabti

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Riwayat Hidup

Areski Nebti known for the character, "Moh Bab El-Oued" is a renowned cinema and television actor.
He was born in may 5th, 1926, in Belcourt, Algiers.

His family was from Beni Ourtilane in Sétif, and he lived in Bologhine ( ex Saint-Eugène).
He was best known for "El Hozzi", "Omar Gatlato", "Les Hors la Loi" and "Aila Ki Nass"

He died in April 28th, 1994, from a heart attack at age 68.

Info Pribadi

Tanggal Lahir : 05 May 1926
Tempat Lahir : Alger, Algérie
TMDB Person id : 3410531
IMDB Person id : nm0618615

Peran Yang Di Mainkan Areski Nebti

movie From Hollywood to Tamanrasset 1990
On the outskirts of Algiers Algeria...

From Hollywood to Tamanrasset 1990

On the outskirts of Algiers, Algeria. the arrival of the satellite dishes governs the lives of the inhabitants. Dissatisfied with their lives, they think of themselves as the heroes of American soap opera and movies, so JR, Sue Ellen, Rambo, Kojak, Spock and others take possession of bodies and minds, with many typical American culture elements. These heroes mix in a beautiful funny mess, with tradition and modernism, Islam and television, reality and fiction.

movie Le Retour 1979
In the early 1970s Lakhdar an...

Le Retour 1979

In the early 1970s, Lakhdar, an Algerian peasant, is forced to leave his desert land and his family for France, but immigration weighs on him and he dreams of returning. This day arrives, he walks in Paris, events decide otherwise.

movie Omar Gatlato 1976
Omar a young man lives a...

Omar Gatlato 1976

Omar, a young man, lives a simple life with his family and suffers from loneliness. His life changes when he tries to bond with a girl he barely knows.

movie Chronicle of the Years of Fire 1975
A meticulous chronicle of the evolution...

Chronicle of the Years of Fire 1975

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

movie Wind from the South 1975
Nfissa a student in Algiers returns...

Wind from the South 1975

Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel "Le vent du sud" by Abdelhamid Benahouga

movie Forbidden Zone 1974
A revolutionary militant is killed during...

Forbidden Zone 1974

A revolutionary militant is killed during the repression of May 1945. His son, who is unaware of the real circumstances of the murder, ends up being attached to the ideal for which his father died.

movie We Will Return 1972

We Will Return 1972

movie Stories of the Revolution 1969
Directed by Ahmed Bedjaoui et al

Stories of the Revolution 1969

Directed by Ahmed Bedjaoui et al.

movie The Outlaws 1969
In prison in colonial Algeria shortly...

The Outlaws 1969

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

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