atau dikenal sebagai
Antonio "Toño" Martorell Cardona is a printmaker, painter, draftsman, installation artist, stage and costume designer, writer, illustrator, and teacher.
He is one of the most prolific Puerto Rican artists of the late twentieth and early twenty-first century.
After the death of her husband, a grieving elderly woman is enlisted by a coterie of gossipy elderly women in her neighborhood to plan and create custom funerals – offering seniors a chance to plan in advance how they want their funerals to be presented, and how they want their lives to be celebrated.
Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.
An experimental dance company integrated by overweight dancers pay homage to Botero's work in their latest production 'More of you to love.' Omy, the lead dancer, has to deal with his low self-esteem when he's asked to perform nude while being confronted with his faith, when his wife-to-be converts.
Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.
Facing financial ruin, four siblings decide to sell the valuables within their mother's house, without telling her and by embellishing their history.
In 1942, in San Juan, Puerto Rico, a casino is organizing a farewell party for its patrons, since it's about to be turned into a US military base. The guests drink, seduce and gossip, but some also plot against each other.