Este cura 1968

A village priest protects a young mother rejected by the people and the mayor.

The Eavesdropper 1966

When a young fanatical nationalist suspects that his fellow pensioners - immigrants and zarzuela players - plan an attack on the president, he reports them to the police. In his adventure, he leaves behind a girlfriend and a lover, and ends up sharing his life with a disoriented girl.

Ritmo nuevo, vieja ola 1965

Movie divided in three episodes: a family mother becomes a successful singer; an Argentinian reporter follows a Spanish cupletista from the beginning of the XX century; the reunion of three old actors and their lies about their success.

Placeres conyugales 1964

Una jaula no tiene secretos 1962

Buenos Aires, Argentina, New Year's Eve. Several people are trapped inside an elevator located in an office building.

Historia de una carta 1957

In a moment of despair, a man sends a letter to her girlfriend announcing his suicide. He then regrets it and tries to recover the letter.

El último perro 1956

During the second half of the 19th century, a young survivor is saved in the Argentine pampas by a man she ends up marrying.

La cigüeña dijo sí 1955

A mature couple happily receives the news of pregnancy while a young couple has the disappointment of a frustrated attempt.

The Vampire of Santiago 1955

In seventeenth century's Chile a woman kills her lover because she wants to conquer a priest.

El grito sagrado 1954

El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.

La niña de fuego 1952

An Andalusian woman travels to Buenos Aires, pretends to be a man and travels as a stowaway.

La mujer del león 1951

Historia de una noche de niebla 1950

La dama duende 1945

The young widow of the viceroy of Peru, facing the dismal prospect of either a convent or a marriage of convenience, sets out to conquer a handsome officer, pretending she’s a duende, a ghost.