Chaos reigns in Louise Fazenda's kitchen as the cat stalks and consumes the bird in the cuckoo clock and the baby paints its face with jam. In her next job in a restaurant kitchen, Louise scrambles up her powder puff and her biscuits. The cook orders her to lighten them up. She blows them up like balloons, but they come out like rubber balls and so she is bounced out of that job. In her next position as housekeeper to a rich family, she throws a party for her friends when the family goes on vacation and they turn the house topsy-turvy.
Two spinsters on their way to church, are accosted by a couple of burly tramps. When Mabel is called to the church meeting with her mother, she sends Muggsy a note asking him to meet her after the service so he may walk home with her. Muggsy is there on time, however, the old ladies are afraid to make the return trip unaccompanied. The pastor asks that a man escort them home. Poor Muggsy gets chosen, and when the trio reach the deserted part of the road, the tramps again appear.
Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.
On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.
A new bride has made a batch of biscuits. Her husband pretends to like them, so she delivers the rest to his office. But one bite of these biscuits makes you violently ill, and soon all his visitors (he runs a theatrical booking agency), plus the workmen at home, are ill; when she shows up at the office, they all go after her.