Anne-Marie Cadieux (born September 23, 1961) is an exceptionally talented actress known for her intensity, daring and versatility.
She has performed brilliantly on the stage, the screen and television.
A University of Ottawa alumna (BA ’84), she first appeared on the stage of the Théâtre de la Vieille 17, and then at the National Arts Centre, directed by AndréBrassard.
Early on, her career was shaped by two major figures she met, Robert Lepage and Brigitte Haentjens, with whom she began a long and fruitful collaboration.
They directed her in many plays, both classic and contemporary.
Brigitte Haentjens also gave her some of her best parts on stage, where she distinguished herself in breathtaking portrayals of Mademoiselle Julie, Electra, Elizabeth I (in Marie Stuart, for which she won the Théâtre du Nouveau Monde’sprix Gascon-Roux for best actress of the year) and Merteuil (in Heiner Müller’s Quartet).
She has also won the prix Gascon-Roux for her unforgettable performances in La dame aux camélias(directed by Robert Bellefeuille), Yasmina Reza’sLe dieu du carnage (directed by Lorraine Pintal) and Réjean Ducharme’s Ha ha!.
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(directed by Dominic Champagne).
Her ability to move easily from raw portrayals of women on the precipice to frothy characters, from daring, edgy work to blockbusters, has won her praise from audiences and critics alike.
Along with her stage career, she has put together a string of roles on both the small and big screens, winning the prix Luce-Guilbeault for best newcomer for her role in Robert Lepage’s Le confessionnal and a prix Jutra for her role in Charles Binamé’s Lecœur au poing.
However, her most notable film roles have come in François Delisle’s Le bonheur c’est une chanson triste andToi, where she owns the screen.
Anne-Marie Cadieux is a uniquely perceptive artist, one who is not afraid to take chances and reveal herself, to explore the human soul in all its complexity and make the most of her remarkable gifts as an artist and performer.
Emerging Montreal drag queen Simon must deal with two impossible loves: a passionate, yet destructive affair with Oliver and a cold relationship with his mother, who's just returned after fifteen years.
Two childhood best friends are asked to share a kiss for the purposes of a student short film. Soon, a lingering doubt sets in, confronting both men with their preferences, threatening the brotherhood of their social circle, and, eventually, changing their lives.
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones' lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones' inner lives — it's an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
A man's plans for a romantic weekend go awry when he learns that his ex-girlfriend, whom he still secretly loves, manages the ski lodge where he and his wife are staying.
Neighbors Spencer and Louise have bonded over their fascination with a recent string of murders terrorizing their community. When a new tenant named Victor moves into the building, all three quickly hit it off. However, they soon discover each has his or her own dark secret. As the violence outside mounts, the city retreats indoors for safety. But the more time these three neighbors spend together in their apartment building, the clearer it becomes that what they once thought of as a safe haven is as dangerous as any outside terrors they could imagine.
Leon Bronstein is not your average Montreal West high school student. For one thing, none of his peers can claim to be the reincarnation of early 20th century Soviet iconoclast and Red Army hero, Leon Trotsky. When his father sends Leon to public school as punishment for starting a hunger strike at Papa's clothing factory, Leon quickly lends new meaning to the term 'student union', determined as he is to live out his pre-ordained destiny to the fullest and change the world.
Michèle shares her life with Paul, her husband and work colleague. She has a lover, Thomas, a musician with whom she has been having a passionate affair for some time. Attracted by Thomass non-conformity and lust for life, Michèle abandons her husband, her son and her profession to live this frenzy through to its conclusion. A quest for freedom and change that sends Michèle on a turbulent drift, but remains, nevertheless, intimate and personal.
While a shocking series of crimes occur in a community along the Miramichi River, the life of Betty, a waitress in her thirties, takes an unexpected turn. She will not make her debut as a singer on the world stage after all but in her hometown that she had been planning to leave for a long time.
The disjointed story of Anne-Marie, an unemployed publicist pounding the pavement in Montreal with her mini-cam, collecting testimonials on the subject of happiness. She meets a medley of characters whom she engages in engrossing, thought-provoking discussions.
The story takes place during the colonization of the Laurentian region in Quebec towards the end of the 19th century (approx. 1885-90), near Sainte-Adèle. An unscrupulous man, Séraphin Poudrier, dominates the small community using his wealth. Mayor of the village, he will marry Donalda Laloge, after her father, unable to repay his debt, gives her to him in marriage. Donalda, a gentle and submissive woman who was promised to the handsome Alexis Labranche, rather, he will live his life according to the wishes of this petty and contemptuous miser, but will never let his situation get him down.
A coming-of-age tale centered on Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.
Louise is living in Montreal, unemployed. Her sister Paulette often gives her a hard time. She only gets to see her poetry-quoting married boyfriend Julien once a week. She hangs out a lot at the dance studio in her building... Louise decides to offer an hour of her time to strangers on the street. "An hour of myself", to do whatever they want to do. But one hour precisely, that's it. This leads to many different situations, some funny, some sexy, some sad. Louise talks to someone who later turns out to have been an undercover reporter. The reporter anticipates a bad end for Louise...
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrigue where the answer to the mystery lies.