THE LOST SKELETON RETURNS AGAIN takes on a whole new series of clichés, primarily drawn from those low budget adventure epics -- rich in potted ferns and stock footage -- that thrived on cheap back lots from the early 30s to the late 50s. It also wanders beyond the narrow confines of jungle pictures, parodying everything from gangster movies to those Mondo films of the 1960s, with their salacious native dances.
A small town infestation of crawling alien foreheads that begin attaching to people and taking them over collides with a scientist's experiments to extract foreheadazine and things go horribly horribly wrong.
A dedicated scientist, aided by his clueless wife, rolls up his shirt sleeves and tries to save the world from a radioactive monster, curious space aliens, an evil scientist and a crabby skeleton.
An FBI undercover agent infiltrates the mob and identifies more with the mafia life at the expense of his regular one.
Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect.
Louis (Lloyd Bridges) is a farmer in small-town Nebraska. All seems well in his quiet life until the town's spiteful sheriff, Tom (Beau Bridges), who is also Louis' son, unexpectedly charges Louis with the murder of his mother. Louis knows he's innocent and thinks that his son is merely out to get him because he's been having a heated affair with Tom's former lover. Can father and son put their bad blood aside for the sake of the family? Or will Tom's vengeance prevail?
An American submarine races to get a nuclear weapon before a Russian submarine.
A single mother is overprotective of her mentally challenged son, which has made him angry and difficult, while she denies herself a social life. Things change for the better when the boy gains self-esteem training for the Special Olympics, and his mother learns to let go.
In 1920s New York City, W. C. Fields is a successful headlining entertainer, but when his girlfriend leaves him and his broker loses his money, Fields begins anew in California. Working at a wax museum, Fields eventually lands a film role that ascends him to stardom. Back in the limelight and palling around with John Barrymore and the like, Fields meets an aspiring actress Carlotta Monti at a party, with whom he forms a rocky relationship.
A college student joins a group of revolutionaries to meet girls but ends up committed to their goals.