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María Amparo Rivelles Ladrón de Guevara (11 February 1925 – 7 November 2013) was a Spanish actress, known as Amparo Rivelles.
She worked in Mexican films and telenovelas.
She was the daughter of actor Rafael Rivelles and actress María Fernanda Ladrón de Guevara, and the half-sister of actor Carlos Larrañaga.
During her long career, she earned a LatinACE award, a Goya Award, as well as a National Theater Prize.
What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.
A gypsy who sells fish in a market, sings on weekends in a tablao. One day, a professor, exiled in Cádiz for her political ideas, offers the cantaora a job.
A woman betrayed and betrayed by a man falls into despair and ends up killing him.
Claiming that he doesn't know his own past, a rich man enlists an ex-con with an odd bit of detective work. Gregory Arkadin says he can't remember anything before the late 1920s, and convict Guy Van Stratten is happy to take the job of exploring his new acquaintance's life story. Guy's research turns up stunning details about his employer's past, and as his work seems linked to untimely deaths, the mystery surrounding Mr. Arkadin deepens.
Crown of Castile, 1520. The Comuneros rise up against Charles I, king of Castile and Aragon and emperor of the Hispanic Monarchy. While Juan de Padilla, leader of the uprising, and his captains, Juan Bravo and Francisco Maldonado, fight against the imperial armies, his wife, María de Pacheco, rules the city of Toledo, capital of the rebels.
Elena and Marcos live in a guesthouse. Their serious financial difficulties force them to resort to the help of Mrs. Jarque, an aunt of Elena who humiliates Marcos constantly. Marcos dreams that he kills Mrs. Jarque, and she appears dead.
Father Luis Lastra is a young priest who does his job in the village of Peñascosa. There he meets Marta, a beautiful parishioner very interested in religious matters, so much that she convinces the priest to accompany her to the convent to become a cloistered nun. Along the way, they have to stop at an inn for the night and that's where Father Luis will test his faith.
Spain, late 19th century. Judge Javier Zarco finds in a cemetery a skull pierced by a nail and suspects that a murder has been committed.