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Amos Poe, born Amos Jay Porges, is a quintessential New York independent filmmaker.
He was a key figure in the emergence of the No Wave cinema movement that evolved from the punk music scene and flourished from the mid-1970s to the mid-1980s on New York's Lower East Side.
During a visit to New York from Egypt, Mark, a 32-year-old Orthodox Christian, decides to lose his virginity, facing all the cultural and religious restrictions that have shaped his character. After a failed blind date, Mark is persuaded by his friends to seek something other than a soul mate. Their solution? A prostitute.
In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.
The life of a woman is transformed after she is diagnosed with a terminal disease, fired from her job and abandoned by her boyfriend. Given two months to live, she throws caution to the wind to pursue her dreams.
From 1978 to 1982, Glenn O'Brien hosted a New York city public access cable TV show called TV Party. Co-hosted by Chris Stein, from Blondie, and directed by filmmaker Amos Poe, the hour long show took television where it had never gone before: to the edge of civility and "sub-realism" as Glenn would put it. Walter Steding and his TV Party "Orchestra" provided a musical accompaniment to the madness at hand, and many artists and musicians, from The Clash, Nile Rodgers, Jean-Michel Basquiat, David Bryne and Arto Lindsey were regular guests. It was the cocktail party that could be a political party. With 80 hours of disintegrating 3/4 inch videotape as a starting point, we tracked down the trend setting participants still living today and found out what they remember of the period and how the show influenced their lives. This, combined with clips from the orginal show, became the documentary "TV Party.
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
A group of unemployed theater actors survive by working as illegal money collectors. The loan shark they are working for owns an Off-Broadway theater. As he decided to play "American Buffalo" there, a bloody battle for the favorite roles begin.
In the midst of an evacuation effort, True World Forces agent Weed must secure an alien spacecraft suspected to have crashed somewhere in the city. But after Weed meets the ship's beautiful, shape-shifting pilot, he finds himself falling for her. As the two grow close, Weed struggles to determine where his true loyalties lie.
Joey is a player, a hot-shot movie agent in New York. If a deal can be made, he'll make it. If a rising talent can be snapped up, he'll be the first in line. And when it comes to luring Hollywood in a bidding war for a script nobody's read, Joey is your man. Joey's definitely cruising in the fast lane. Bu there's one thing Joey has never taken the time to do... live. Joey's programmed life is turned topsy-turvy by a series of unexpected events which culminates in a serendipitous romance with a throughly remarkable young Jamaican woman.
The Levys, a glamorous couple, used to make their living robbing golfers, until they met their fatal handicap. Years later, scriptwriter Remy Gravelle decides to observe the Levy progeny as they sail endlessly round Manhattan in their luxury yacht.
A man's family comes for his 77th birthday and while he loves all of his children and their children, he and his children don't exactly connect. However, he connects with his grandchildren. And he tells them what he wants for his birthday and they do what they can to give it to him.
A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene.
A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.
A French special op suffers an existential crisis as he wanders New York City in search of a mission and the requisite connections.
The cream of the New York new wave/punk crop, filmed live at CBGB when the scene was just beginning. Includes performances by Patti Smith, Blondie, Television, the Ramones, Talking Heads, the Heartbreakers, the Shirts, Wayne County, the Marbles, the Dolls, Miamis, Harry Toledo, and the Tuff Darts (w/Robert Gordon).
Sketched loosely, the narrative of Poe's first feature is as scrappy and paper-thin as its protagonist Rico, a self-styled loner in New York City circa 1976 who longs to inhabit the "New Wave" scene of mid-60s Paris. In Rico's day-to-day life as an unsuccessful photographer, he wearily searches for authentic connection-- even as he spouts the most inauthentic prose imaginable.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.