Confia: Sonho de Cria 2025

Nando dreams of being a great Trap singer, but until his dream comes true, he makes deliveries for Lanchudo, a snack bar in Copacabana.

Clarice Niskier: Teatro dos Pés à Cabeça 2024

The documentary is a tribute to Theater based on the trajectory of Clarice Niskier who made her job her own lifestyle. As a central axis, interviews with the three directors with whom Clarice developed long partnerships: Domingos Oliveira, Eduardo Wotzik and Amir Haddad. Through an intimate and sensitive look, the film reveals her passion for the craft, her life experience, her poetic worldview, her spiritual and intellectual search, pains, joys, losses and gains. Clarice makes the black box the more than perfect symbol of her own Universe: the Theater.

Poropopó 2021

Nas Asas da Pan Am 2020

Silvio Tendler goes through his life remembering the movements he was part of during the brazilian dictatorship and his adherence to socialism.

The Asphalt Kiss 2018

When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

How Do You See Me? 2017

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

À Beira do Abismo me Cresceram Asas 2017

Cena Nua 2011

The documentary reveals the creative process of theater director Amir Haddad and his group, Tá Na Rua, showing how the culture of Rio de Janeiro and collective work mix in the company's rehearsals and shows.

Dzi Croquettes 2009

A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

In Evil Hour 2006

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

República Tiradentes 2005

Filmed in a mini DV, the film "República Tiradentes" is an affective poetry, based on the stories of gafieira dancers, actors, rascals, girls and all the bohemians who lived and live moments of joy and glory in downtown Rio de Janeiro. It is a tribute mainly to the origin of the gafieira.

The Man of the Year 2003

Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.

Separações 2003

Cabral is a 60 year old playwright who's married to Glorinha, an actress who's 20 years younger than him. They've been together for half of her live, and now they're getting bored...

Suspiros Republicanos ao Crepúsculo de um Império Tropical 2002

The film tells a little of the history of Brazil immersed in the caricature of the conditions of making cinema in this country. Flora and Carlos Manoel fall in love. She, from a family linked to the Monarchy, and he, a republican activist, live their love in the last days of the monarchy, without knowing that the end of the empire would also mean the end of their romance.

Doces Poderes 1997

A journalist is placed upon the management of a large broadcasting company to the capital of Brazil at the time of local elections. She must now face ideological and ethical questions, brought back by a left-wing former boyfriend and her own colleagues. At the same time, a free-lancer spy is sent by an obscure figure in politics to manipulate the elections and its media coverage.