atau dikenal sebagai
Amelia Graciela Vargas Ipaneca was a Cuban actress, vedette and dancer nationalized from Argentina.
The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countless. Sol, a young photographer, discovers there more than 25,000 unpublished negatives, an archive of incalculable value that opens a window through which to look at the true artistic epicenter of Argentinean popular culture…
Cándida marries a widowed millionaire. She is in full exercise of being the housewife, when her husband's daughter arrives, with the company of Amelita Vargas with 2 purposes: to find out what her father is hiding and that she marry him..
A high society woman discovers a fiery romantic letter in a raincoat pocket seemingly written by a rumba dancer to the woman’s doctor husband. He tries to cover by saying that the letter is addressed to a more conservative friend of his, leading to rumours of his friend’s (supposed) incredible passion becoming intriguing to the local women, even the Doctor’s own jealous wife.
Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.
Young newlywed girl about to embark on her honeymoon persuades older family friend to assist her in an extensive search for her missing husband. A road-trip full of comical misadventures ensues.