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Alonso Ruizpalacios (born 1978) is a Mexican film director.
He was born and raised in Mexico City.
He studied stage directing in Mexico City, before moving to London where he trained as an actor at RADA.
Ruizpalacios writes and directs for both stage and screen.
His short film Café Paraíso won multiple awards on the film festival circuit.
His debut feature Gueros, shot in black and white, was lauded by critics and won five Ariel Awards in 2015, including Best Picture, Best First Film and Best Director.
Ruizpalacios also directed the music video for "Hasta la Raíz" by Mexican singer-songwriter Natalia Lafourcade.
He recently directed the movie Museo, starring Gael García Bernal.
The film won the best script award at the Berlin International Film Festival.
Museum has also been present in other international festivals.
The film tells the story of the famous robbery to the National Museo of Anthropology on December 25, 1985, in Mexico City.
He has also contributed in tv series: directing two episodes for Narcos: Mexico and two episodes for the Mexican tv show Aquí en la tierra; besides being the showrunner of the XY tv show for the Mexican television network Once Tv.
From Wikipedia, the free encyclopedia
In the sweltering back kitchen of a Times Square restaurant, undocumented cook Pedro is caught between mounting pressures at work and a complicated romance with waitress Julia. When money goes missing, suspicion spreads, igniting tensions that threaten to upend the fragile hopes of the staff.
This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.
Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.
An actor's world comes crashing down after he learns that his wife has left him.
Minutes before his death in the general ward of a city hospital, Ulises, a terminal patient in his fifties, reconstructs the fragments of his life. Lauro, a young and smiling nearby patient accompanies him on his final agony, reliving all Ulises' missed opportunities.