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Aliki Stamatina Vougiouklaki (Greek: Αλίκη Σταματίνα Βουγιουκλάκη, 20 July 1934 – 23 July 1996) was a Greek cinema and theater actress, singer and theatrical producer.
She is one of the most popular actresses in Greece, and was often referred to as "the National Star of Greece".
Theatrically, she mostly starred in renditions of widely known Broadway musicals as well as multiple Greek tragedy plays.
Vougiouklaki died in 1996 at the age of 62, just three months after being diagnosed with pancreatic cancer.
Aliki Vougiouklaki made her stage debut in a 1953 Athens production of Molière's Le Malade imaginaire.
Around the same time, she made her movie debut in The Little Mouse (1954).
She then appeared in over 41 films, one of which, apart from the original Greek, also had a Turkish version but was never officially released in Turkey because of political issues between the two neighboring countries.
The majority of her movies met with great success and in 1960 she won the award for Best Actress at the Thessaloniki International Film Festival for her performance in the movie Madalena.
The year is 1965. Natasa Arseni visits Dachau, the place where she was found by the Americans at the end of the World War II. She returns to Greece, and during the train ride she recalls those past events. Before the beginning of the Greek-Italian war, she met Orestis . With the German invasion, Orestis, who was an officer in the Greek army, left for the Middle East. She followed him and accompanied him back to occupied Greece on a mission. She was arrested, interrogated and tortured and was finally sentenced to execution.
Fourtounakis’ daughter, Katerinio, is forced to get engaged with a brutal Cretan, Skandalakis. But the return of Manousos Vrontakis from Athens and his flirtation with the girl leads to a great romance, without them knowing that they belong to families who are longstanding enemies.
Rena’s father insists on marrying her off to the son of a shipowner. Rena, however, doesn’t even want to hear about it, so she runs away and disguises herself as a boy named Pipis. As such, she meets a poor fisherman, Lefteris, and helps him on his way to Ioannina.
An usherette in a theatre, where a distinguished and popular actor performs, gets her big break when the leading actress has an accident. The director decides to take advantage of the heretofore unexploited talent of the girl and asks her to replace the leading actress. This unexpected opportunity transforms her from a humble usherette into a shining star. Later on, she wins the heart of the leading actor with whom she was secretly in love. However, her sudden rise to theatrical-musical stardom creates complications in their love affair, as her companion sinks into disappointment and drowns himself in drink, abandoning his career. Nevertheless, the usherette/leading actress doesn't give up; She looks for him, finds him and supports him, psychologically and morally, until he makes a comeback to the stage and their love nest.
Liza falls in love with one of her father's employees. Her socialistic ideas about employment drive her to collide with her father and the sociopolitical status of the time.
One day, while Grigoris is working and singing at a construction site, a conductor, Vangelis, and two bouzouki musicians happen to pass by. They listen, enchanted by his limpid voice, and suggest that he becomes a member of their orchestra. Thus, the newly-wed day laborer gets a second job at Mr. Lefteris’ night club. His wife, Marina, soon joins him at the club, and, before long, she too goes on stage, cuts capers and charms everyone. Her success, however, has a negative impact on the couple’s relationship, since Marina’s admirers as well as those of Grigoris’, turn one away from the other.
Katerina, a poor girl, finds a job as a secretary and falls in love with her boss on a trip to Rome.
Mary and Nikos are a happily married couple whose life turns upside down when Mary’s friend, Lilly, borrows their new car. When Lilly crashes the car, she asks Mary to cover for her so that her husband doesn’t find about her new affair. The case of the car crash is brought to court, and Mary is accused. Things get so complicated that not even Lilly’s confession can solve the misunderstanding.
Lisa is a student, pretending the sick not to go to school. Her parents are worried about her health and call the doctor to examine her. He realizes her lies but he covers her. Soon, they fall in love and eventually get married. However, after the honeymoon she begins to yearn school and her classmates and she returns to it without saying anything to her husband. Soon, her husband begins to suspect her because of her frequent absences from home and her secret meetings with the professor seem to confirm his suspicions.
Madalena is a tough seventeen-year-old who is forced to take on her father's ferry business after he dies. She has her many brothers and sisters to support, and there is no one else to do the job. So she rallies her defenses and sets out to give her rival in the ferry business a run for his money. But at the same time, the rival's handsome son is starting to look better and better. Madalena refuses to acknowledge her feelings for him -- though how long she can sustain that denial is the question.
Young teacher Floras arrives to teach a class at a girls’ high school in Athens. His students, daughters of rich Athenian families, are very spoilt making his and the other teachers work difficult. When he starts implementing discipline in his class, the girls use every means to get rid of him. But the most undisciplined, Lisa Papastavrou, falls in love with him.
This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.