detail profile alexis moreno mu c3 b1 c3 b3z
Riwayat Hidup
Alexis Moreno is a Chilean playwright and director, founder of Teatro La María.
Known for his dark humor and critical exploration of Chilean identity, memory, and violence, his work blends acting, text, and visuality.
He has written and directed numerous plays, including *Trauma*, *Las Huachas*, and *Superhéroes*, with international recognition and publications in various countries.
His adaptations of classic works and award-winning original texts have made him a key figure in contemporary Chilean theater.
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Peran Yang Di Mainkan Alexis Moreno Muñóz
In the last horror story realities...
In this love special of Historias...
An innocent woman who is recovering...
A man wakes up in a..."Midnight stories 1" - The deadly Pizza 2020
A man wakes up in a house that is not his house. He doesn't remember how he got there. A woman enters via Zoom, and they begin to piece together what the hell is going on. But as the minutes pass, the man discovers that he is nothing more than the pawn in a sinister plan.
In a violent city where a...La salamandra 2018
In a violent city where a man succumbs to the loneliness and delirium of his unfulfilled desires. He wishes to belong somewhere. And the only way to achieve this goal is projecting in his own mind another version of himself, a "second man", someone -who will be accepted.
When a prominent researcher in the...Roman's Circuit 2012
When a prominent researcher in the field of human memory returns home, he stumbles upon the fact that a man's past, as he remembers and tells it, is often nothing but fiction.
A Man and a Woman who...El lenguaje del tiempo 2011
A Man and a Woman who get together after several months of absence in an attempt to reconcile their differences. They had once been a couple and share an immensely painful past; a past that became the cause of their separation. But it seems that a tragic ending is the doomed destiny for these characters that seem incapable of achieving happiness
Twenty years of Chile in a...
