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Alex Vizorek (born Alexandre Wieczoreck; 21 September 1981) is a Belgian television host, comedian, writer, and radio personality.
Vizorek was born on 21 September 1981 in Brussels, Belgium and grew up in the Borinage.
His paternal grandfather was a Polish immigrant to Belgium.
He graduated from Lycée Dachsbeck and then attended Université libre de Bruxelles, studying both commercial engineering and journalism.
After graduation, Vizorek enrolled at the Cours Florent, where he studied stand-up comedy.
In 2009, Vizorek joined the theatre group Kings of Comedy and was featured in the Made In Brussels Show.
At the 2009 Montreux Comedy Festival, his show Alex Vizorek est une œuvre d'art received the François Silvant Award.
Vizorek began working in the radio industry, hosting a radio show on Bel RTL covering football games.
He went on to host his own shows at VivaCité and La Première, was a guest host for France Inter from 2012 to 2014, and started writing for L'Echo and Le Soir.
On 24 August 2018, it was announced that Vizorek would host the 9th Magritte Awards.
Source: Article "Alex Vizorek" from Wikipedia in English, licensed under CC-BY-SA 3.
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In a prehistory for operettas that is seemingly doomed never to evolve, a conflicted father and daughter disrupt the Stone Age routine. After a tragic-comedy round-trip to the future, they accidentally bring back an Ikea “bent key”, which will at last trigger Evolution, for better or for worse… Writing, religion, politics… who will be capable of putting an end to these disasters?
What does a lifetime of service get you? That's what Inès (Jasmina Douieb) wants to find out. As the long-time office manager for EcoCleanPro Cleaning Supplies, she's the only woman on staff in this very sexist office. She does whatever it takes to keep things running – even if it means replacing toilet paper her male coworkers can't seem to do themselves. After the regional manager's visit reveals abysmal numbers in gender pay equity at EcoCleanPro, Inès wants her dedication to pay off with a raise. Unfortunately, her request is rejected by her incompetent boss Patrick (Peter Van den Begin) and, fueled by the unfairness and under the watchful eye of Melody (Laetitia Mampaka), the new intern, Inès redoubles her efforts for compensation. When her history with Patrick rears its ugly head and leads to an accident, all hell breaks loose, and the two women must combine troubleshooting skills for possibly the biggest mess of their lives.
This is the story of a father, Jan, a cultural host in a hostile environment, and his daughter Marie, an occasional stripper, who are on the edge of a precipice. She wants to jump and he tries to hold her back. How? By telling him stories, as in the tales of "Arabian nights". As long as he holds her attention, she will not jump.
Lea and her husband Marc have known Francis and his wife Karine for a very long time. Over the years, each one of them has been assigned a specific role. The balance and dynamic of the group is blown up when Lea decides to write a novel, which turns into an immediate bestseller…
Anne and Bob, a well-to-do American couple, have just moved to a beautiful manor house in romantic Paris. To impress their sophisticated friends, they decide to host a lavish dinner party, but must disguise their maid as a noblewoman to even out the number of guests. When the maid runs off with a wealthy guest, Anne must chase her around Paris to thwart the joyous and unexpected love affair.
Following in the wake of Benoît Poelvoorde and Philippe Geluck, comedians, actors and other Belgian singers have established themselves in France in recent years, in the media and on stage. But, if we appreciate them today, this was not always the case. In this documentary, director Olivier Monssens acts as the spokesperson for his compatriots. Through testimonies and delicious archive images, he returns to the not-so-distant era when our neighbors were considered friendly but somewhat idiotic people. The film is also an opportunity to understand what characterizes the Belgian spirit by focusing on some of its facets: humor and its famous local variation, self-deprecation, cinema and music.