Based upon the true story of Kimberley T. Zulkowski's Grandmother, Margie Ree Harris. "Grandma's House" gives a compelling insight into how the Executive Producer's life changed when she moved into her Grandmother's home, and their generations became one under the same roof. Chock-full of passion, Faith, and Family, the Film demonstrates the trials and tribulations she faced living with a Grandparent who stood as an inner-city Matriarch and Pillar of Strength to selflessly serve her Family, and surrounding community.
Although Tom Leezak and Sarah McNerney come from different worlds, they are both unexpectedly swept off their feet after their first meeting. They quickly fall in love and plan to get married, despite opposition from Sarah's uptight, rich family. After their wedding, the happy couple sets off - with the highest of hopes and ideals about love and marriage - on what they expect will be the perfect honeymoon in Italy. Thanks to a relentless string of bad luck with one disaster after another, and an impromptu visit from Sarah's wealthy one-time ex-lover Peter Prentiss, the newlyweds experience the honeymoon from hell that tests the limits of their young love. Is it worth throwing away their love and marriage?
Corporate overachiever and all-around fly chick Shanté Smith thinks she's got the goods to keep her slickster boyfriend Keith, from straying—until he discovers a greener pasture, Shanté's archrival, Conny. Scorned, she plans to get her man back by any means necessary.
15-year-old Natalie, confused to begin with, finds out about her father's affair with one of his students. Refusing to simply stand by and watch her family disintegrate, Natalie takes it upon herself to expose the problem, and in doing so calls into question the family's penchant for denial.
Two women finally find the love and respect they deserve after both of their long-term, loveless relationships fail and they meet each other.
In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.
When Ashtray moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog, who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense. Will Ashtray be able to keep living the straight life?