Alexandria Rice is a Mohawk Aboriginal Canadian; an active, proud member of the Kahnawake First Nation.
Though Alex was born in Quebec, she spent the majority of her childhood in Brooklyn, New York among a community of Mohawk iron workers, where she trained to become a professional dancer.
Little did she know that her life would change forever when she landed a part in an educational video produced at her grammar school.
She discovered her true passion-acting.
Since then, Rice has successfully worked in the world of entertainment where she is best known for the role of Janet Pete.
In addition to mainstream television credits for guest-starring-roles, Alex has also starred in several critically acclaimed independent features.
Special honors and awards include the Motion Pictures Award presented by the American Indian Film Institute for Best Actress (2003) for her reprisal of Janet Pete in Coyote Waits and the First American Award (2005) for her work in A Thief In Time, presented by the First Americans in the Arts Committee.
Beck, a single mom, lives in Six Nations, Canada. After her mother’s death, she abandons her dream of becoming a Mohawk language teach- er, and an unhealthy lifestyle leads to a diagnosis of Type 2 Diabetes. The ghost of Tom Longboat, a sports legend of the early 1900s, appears to her. He teaches Beck to become an honor runner, dedicating each run to an aspect of creation or a special person in her life. With Tom’s help, Beck is able to turn her life around.
Set in the late 90s, Rustic Oracle is a dramatic feature about Ivy, an 8-year-old girl trying to understand what happened to her big sister who has vanished from their small Mohawk community. With minimal clues, Ivy and her mother Susan embark on an unwelcome journey to find Heather which will ultimately bring the pair closer together despite challenging circumstances. Behind the story of desperation, told through the eyes of a child, lies one of hope, growth, awakening and love.
After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob, knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.
A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.
The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.
In South Dakota, in an Indian reservation, an old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to the great powwow, an Indian meeting. While traveling, Grandpa tells mysterious Indian tales of love, friendship and magic.
A Cherokee boy is a haemophiliac in a culture obsessed with blood identity.