detail profile aleksandra kurzak
Riwayat Hidup
Already at the age of seven, Aleskandra Kurzak began her musical education with violin and piano lessons.
She studied vocal arts at the Musikhochschule Breslau, later at the University of Music and Theatre in Hamburg, where she was at the same time member of the Opernstudio of the Hamburgische Staatsoper.
At the age of 21, still a student, the winner of numerous international competitions debuted as Susanna in Le nozze di Figaro.
Between 2004 and 2007 she was member of the ensemble of the Hamburgische Staatsoper.
At the age of 27 she made her debut at the Met as Olympia in Les Contes d’Hoffmann and at the ROH Covent Garden as Aspasia in Mitridate.
In 2010 she debuted at Teatro alla Scala as Gilda in Rigoletto.
Her repertoire includes roles such as Fiordiligi (Così fan tutte), Maria Stuarda, Donna Fiorilla (Il turco in Italia), Donna Anna (Don Giovanni), Nedda (Pagliacci), Susanna (Le nozze di Figaro), Marzelline (Fidelio), Nannetta (Falstaff), Gilda, Adele, Gretel (Hänsel und Gretel), Musetta (La Bohème), Marie (La fille du régiment), Norina (Don Pasquale), Adina (L’elisir d’amore), Violetta (La traviata), Rosina, Lucia di Lammermoor.
She made her debut at the Wiener Staatsoper in 2008 as Rosina and sang also Adina, Susanna, Marie, Gilda and Violetta.
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Peran Yang Di Mainkan Aleksandra Kurzak
In its most ambitious effort yet...Metropolitan Opera At Home Gala 2020
In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company presented an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world.
Production of Verdis opera Otello performed...
With a devilish sway of the...Bizet: Carmen 2017
With a devilish sway of the hips and a hint of Andalusian flair, Carmen, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest. Composed to a libretto by Meilhac and Halévy based on Prosper Mérimée’s novella, the opera exploded the boundaries between tragedy and comedy with a modernity that caused a scandal at the time. Can we kill the one we love with love? The fiery beauty of Bizet’s music, where one unforgettable aria follows another, has worked year in, year out to make it the world’s most performed opera.
Grand festivities are held at the...Verdi: Rigoletto 2015
Grand festivities are held at the court of the Duke of Mantua. But the community which enjoys itself no longer knows values and amuses itself out of deadly boredom. The most cynical of all is court jester Rigoletto. He only wants to protect his daughter Gilda against the depraved world. He prohibits her everything – the young woman, however, goes her own way.
One of operas most vivid and...San Francisco Opera: Verdi's Rigoletto 2012
One of opera's most vivid and compelling characters, a vengeful court jester, desperately tries to protect his daughter from disaster in this heart-wrenching tragedy. The first of two world-class casts led by Music Director Nicola Luisotti stars Željko Lučić, "whose vocal artistry is exceptional" (The New York Times); Aleksandra Kurzak, "a superstar in the making" (The Guardian, London); and, as the lecherous Duke, Francesco Demuro, "whose open, bright, superbly focused tone was reminiscent of Pavarotti" (Opera News).
