Action-comedy that follows the Secret Service, runaway generals, admirals, and patriotic organizations, ICTY inductees, accidental and deliberate actors where price is, basically, all simulations of reality, virtual world where people can move without a face, with imaginary professions, actions and intentions, perverse game devoid of logic and sense relocated.
A young unemployed saxophone player Boki is pursued by debt collector agency, whose secretary tries to save him. Having reached his dead end, the racketeers give him a twelve hours deadline to find the money. He calls everyone he could remember and unsuccessfully begs for help. The time inevitably runs...
One regular Sunday meeting of a boy and his father who live separately.
The young man, originally a Jew, is deeply burdened by the consequences of war, in which he had lost his loved ones. He is considering himself mandatory to take revenge to former commander of the concentration camp where his family was killed, and who returns from prison after serving the minimum sentence. Coincidentally, planned revenge takes a different turn.
The topic of this routine, romantic drama is a little unusual - it concerns what some prisoners do when they are allowed out of jail for two weeks before their sentences are up. Rather than receiving some special dispensation, it turns out that in Yugoslavia this was the custom. Most of the time, the men here are engaged in pursuits that forward their relationships with the fairer sex, as might be expected after a long and lonely incarceration. There is nothing particularly profound about their two weeks of liberty, and no deep message in the tale.