Alejo Rébora was born in June 1985, in Buenos Aires.
He founded SARNA in 2003 to distribute his initial, cheap, and small short films as a filmmaker.
Later, he studied film direction; the shorts began to be less modest, and SARNA's technical team expanded to become a natural force advocating CINEPUNK with much more imagination than budget.
From 2007 to 2018, he managed, conceptualized, did graphic design, and authored DVDs for Distribución SRN, a label that champions "underground cinema in deluxe editions" title by title.
Currently, he has five feature films in his filmography —the TRASH trilogy (2010-2019), the documentary El Camino de Tico Tico (2020), and the suspense comedy 7 VIDAS (2024).
SARNA continues to produce and create short films, music videos, and independent and somewhat experimental films.
A group of revolutionaries in the Neo-Mendoza of 2037 undertakes a dangerous journey through the Andes mountain range to save the last Artificial Intelligence on the planet.
Jorge comfortably lives in a traditional building, now modernized with Artificial Intelligence. His stability is shaken with the death of René, the cat he cares for. A mysterious young woman claims to be its reincarnation and seeks help to solve its murder. Jorge, fearing to lose his home, agrees, embarking on a dizzying journey, uncovering dark secrets. The A.I. reveals flaws, making the environment claustrophobic and dangerous. Friendship between species is explored as they unravel mysteries, revealing surprising connections in this dark comedy of suspense.
A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.
In several popular neighborhoods of Buenos Aires, opera seduces young people to revitalize themselves with new talents. Mailen is a music teacher who intends to add children and adolescents to the world of music and particularly to the lyrical genre. She thus strives every day to help young people discover a new universe and overcome the enormous obstacles in which they are immersed in their daily lives, while breaking social myths around opera. A story of overcoming through art.
2020 has its place in history as the year a virus stopped the entire planet. In its first months, amid quarantine and growing uncertainty about the future, Fantaspoa Film Festival launched a contest for filmmakers from around the world to create their pandemic-related stories—in their homes, with the resources they had at hand. This anthology brings together the 15 most representative and creative short films produced, capturing this moment in time that, if humanity is lucky, will never be repeated.
Documentary about how Tico Tico, a very difficult to watch cult Argentinian film, was shot.
The worrying disappearance of Ansio in TRASH (2010) and Ana L in TRASH TWO (2013) alerts the sexagenarian Mom Bruselas who, with a wheelchair in between, will launch herself to the adventure of getting her children back. She will have to go deep inside her own memories to get to the center of such a twisted maze. Drugs that makes you travel through time, an epic gang fight which takes place in a more addictive and violent city, and confusing religious cults in the search for their messiah. All of these will frame the explosive end to this punk cinema saga.
Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.
The day after she got her brother in the second worst problem of his life, Ana L. Bruselas escapes her captors without being able to bring her sawn off tits with her. They cut them off as retaliation for her not delivering a box full of "illegal" content in time. But Ana L. won't rest until she gets her beloved tits back
Ansio Bruselas must overcome the phobia that keeps him prisoner in his tidy, comfortable and safe home, because of the certain possibility that her sister will have her breasts amputated with a tool as unsubtle as a saw. The journey does not seem difficult: find a box with a mysterious content and take it to where Ana Ele, the sister , is held captive. He only has to arrive as quickly as possible to his destination, with box and its contents intact. However, Ansio's innocent curiosit , and phobia will turn his simple journey into an endless succession of strange and incoherent events. Because reality is reality until it's not anymore, you know?
Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.