atau dikenal sebagai
From Wikipedia, the free encyclopedia
Alberto Moravia (Italian pronunciation: [alˈbɛrto moˈraːvja]; November 28, 1907 – September 26, 1990), born Alberto Pincherle, was an Italian novelist and journalist.
His novels explored matters of modern sexuality, social alienation and existentialism.
Moravia is best known for his debut novel Gli indifferenti (1929) and for the anti-fascist novel Il Conformista (The Conformist), the basis for the film The Conformist (1970) directed by Bernardo Bertolucci.
Other novels of his adapted for the cinema are Agostino, filmed with the same title by Mauro Bolognini in 1962; Il disprezzo (A Ghost at Noon or Contempt), filmed by Jean-Luc Godard as Le Mépris (Contempt 1963); La Noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 and La ciociara, filmed by Vittorio de Sica as Two Women (1960).
Cedric Kahn's L'Ennui (1998) is another version of La Noia.
A philosophy teacher restless with the need to do something with his life meets a young woman suspected of driving an artist to his death. He finds the very simple Cecilia irritating but develops a sexual rapport with her. Obsessed with the need to own and tormented by her inability to respond to him, he becomes increasingly violent in a quest he can't name - a quest that slowly begins to undermine his certainties.
At a college in Rome, a professor, nicknamed "Dodo" is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.
Stefan finds that he can no longer tolerate the arrangement of his cheating wife ... he, the husband, gets her during the week and her lover gets her on the weekends. At the same time the wife finds herself increasingly drawn to the violence of her lover versus the adoration of her husband.
On the plane back to Rome, a well-known journalist indulges in an unbridled and somewhat melodramatic erotic fantasy involving his estranged wife and his stepdaughter.
Luca Manzi is a fourteen year old boy when the Northern Italy Republic of Salò is governed by the Fascists. He becomes a partisan but when the war ends he is disappointed because things have not changed as he had hoped they wood, and he decides to let himself die. He is saved by Edith who tries to introduce him to sex. Based on the novel by Alberto Moravia.
A notorious mondo film depicting unbelievable and bizarre rituals, animal killing and cruelty, and people being killed and eaten, all by either animals or humans against each other or themselves.
Rico is a not too successful screen-player. He is also a repressed sex addict. His life changes when he starts to talk to his own penis, which incredibly answers him! All his relationships and views about reality are seriously impacted by his new "friend", his penis! The "two" in fact, often have different opinions, and sometimes the personality of "it" is stronger than its owner.
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
Three tales of very different women using their sexuality as a means to getting what they want.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have far reaching consequences.
Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.