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Alan Charles Wilder (born 1 June 1959) is an English musician, composer, arranger, record producer and former member of the electronic band Depeche Mode from 1982 to 1995.
Since his departure from the band, the musical project called Recoil became his primary musical enterprise, which initially started as a side project to Depeche Mode in 1986.
Wilder has also provided production and remixing services to the bands Nitzer Ebb and Curve.
Alan Wilder was inducted into the Rock and Roll Hall of Fame in 2020 as a member of Depeche Mode.
He is a classically trained musician.
Alan Charles Wilder was born the youngest boy born into a middle class family of 3 boys and was raised in Acton, West London.
He began piano at the age of eight, through the encouragement of his parents.
Later on, he learned the flute at St Clement Danes grammar school and became a leading musician in his school bands.
After school, Alan worked as a studio assistant at DJM Studios.
This led to him ending up working for bands such as the Dragons and Dafne & the Tenderspots (as Alan Normal).
Others include Real to Real (featuring Adrian Chilvers on bass, Pete Fresh on guitar, Wolfgang Marlander on drums and Paul St.
James on vocals), the Hitmen, and the Korgis, appearing on the UK No.
13 single "If I Had You" (1979).
Following the departure of Vince Clarke, Depeche Mode placed an advertisement in the music magazine Melody Maker: "Keyboard player needed for established band – no timewasters.
" Even though the ad was looking for someone under 21 (Wilder was 22) he lied about his age to get the job, and got away with it.
He joined Depeche Mode in January 1982, initially as a tour keyboardist, and soon thereafter as a full member of the recording band.
His first studio contribution was on the single "Get the Balance Right!" in December 1982, released the following month.
Wilder wrote a handful of songs for Depeche Mode, including "Two Minute Warning" and "The Landscape Is Changing" (and a B-side, "Fools") from the album Construction Time Again, and "If You Want" (and a B-side, "In Your Memory") from the album Some Great Reward and finally co-wrote "Black Day" (and a B-side, "Christmas Island") from the album Black Celebration.
However, Wilder's more notable contributions to Depeche Mode were as a musician, arranger, and producer.
In addition to playing synthesizer throughout his time with Depeche Mode, Wilder also played piano on the band's signature ballad "Somebody".
In the documentary film 101, Wilder demonstrates how different synthesizer parts of a song are split and arranged across a sampling keyboard for playing them live during the concert, just one small example of Wilder's ongoing contributions to Depeche Mode during his time as a member of the group.
For the recording of the album Songs of Faith and Devotion and its corresponding Devotional Tour, Wilder also played live drums.
For "Enjoy the Silence" from the album Violator, Wilder took Martin Gore's melancholy ballad-esque demo and re-envisioned the song as a percolating, melodic dance track.
The resulting single went on to become one of the most commercially successful songs in Depeche Mode's history.
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Source: Article "Alan Wilder" from Wikipedia in English, licensed under CC-BY-SA 3.
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The band fronted by former Depeche Mode member Alan Wilder captured live in performance in Budapest. Wilder gave Recoil his full attention when he left Depeche Mode in 1995. The concert was filmed in Budapest's Szikra venue and saw the band play songs from all stages of their career.
"We Were Going To Live Together, Record Together… And It Was Going To Be Wonderful…" - As part of the band's Documental series about their history, the documentary short about the making of Songs of Faith & Devotion and its eventual tour showcases the band moving into different directions where they nearly killed each other followed by a tour that broke the band leading to the departure of its longtime member Alan Wilder.
"If You Wanna Use Guitars, Use Guitars…" - A 32-minute short film, entitled Depeche Mode 1989–90 (If You Wanna Use Guitars, Use Guitars), featured interviews with the band, Daniel Miller, Flood, François Kevorkian (who mixed the album), Anton Corbijn (who directed the music videos and did the album's photography/cover), and others. It also includes news footage from the infamous "riot" in Los Angeles, which gave the band media publicity the day before Violator came out.
"Sometimes You Do Need Some New Jokes…" - In both musical and commercial terms, Depeche Mode had been building slowly but steadily by the time of Music for the Masses in 1987. The album really did feel like a great leap forward. It was the start of a new chapter. This short film tells the story of that album, it's aftermath and the impact on the band. The DVD also contains a 5.1 surround sound mix of the original album.
"The Songs Aren't Good Enough, There Aren't Any Singles And It'll Never Get Played On The Radio" - Like the other reissues, the DVD includes a documentary on the album. The title - The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio - is Gore paraphrasing Daniel Miller about his demos for Black Celebration in the film. The double-documentary discusses both The Singles 81→85 and Black Celebration, its more challenging commercial success (especially the song "Stripped") and all five related singles. It also includes a plethora of behind-the-scenes footage of the making of Black Celebration and the ensuing tour. Highlights include the band meeting The Cure, and behind the scenes footage of several of the music videos. The documentary is nearly an hour long.
"You Can Get Away With Anything As Long As You Give It A Good Tune…" - Short documentary of making "Some Great Reward", the fourth studio album.
"Teenagers Growing Up, Bad Government… And All That Stuff" - While Alan Wilder becomes a full member of Depeche Mode, the band experiment with new sounds through sampling, for their third album "Construction Time Again".
"The Beginning Of Their So-Called Dark Phase…" - A documentary about the making of the album A Broken Frame, featuring interviews with the group including former band member Vince Clarke, new live member Alan Wilder and other relevant personnel such as Daniel Miller of Mute Records. It also features vintage footage from UK television.
This video release by Depeche Mode features almost an entire concert from their 1993-1994 Devotional Tour, filmed in Barcelona, Liévin and Frankfurt.
A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.
Depeche Mode - Live at Wembley Arena, London, 17 April 1986 (Black Celebration Tour) 01. Black Celebration 02. A Question Of Time 03. Fly On The Windscreen 04. Shake The Disease 05. Leave In Silence 06. It's Called A Heart 07. Everything Counts 08. It Doesn't Matter Two 09. A Question Of Lust 10. Blasphemous Rumours 11. New Dress 12. Stripped 13. Something To Do 14. Master And Servant 15. Photographic 16. People Are People 17. Boys Say Go! 18. Just Can't Get Enough 19. More Than A Party
Depeche Mode: Black Celebration Tour May 16,1986: Alsterdorfer Sporthalle, Hamburg 01. Christmas Island 02. Black Celebration 03. A Question of Time 04. Fly on the Windscreen 05. Shake the Disease 06. Leave in Silence 07. It's Called a Heart 08. Everything Counts 09. It Doesn't Matter Two 10. A Question of Lust 11. Blasphemous Rumours 12. New Dress 13. Stripped 14. Something to Do 15. Master and Servant 16. Photographic 17. People Are People 18. Boys Say Go! 19. Just Can't Get Enough [cut off] (20. More Than a Party [not in video])