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Alan Smithee (also Allen Smithee) was an official pseudonym used by film directors who wish to disown a project, coined in 1968.
Until its use was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when a director dissatisfied with the final product proved to the satisfaction of a guild panel that he or she had not been able to exercise creative control over a film.
The director was also required by guild rules not to discuss the circumstances leading to the move or even to acknowledge being the actual director.
Description above from the Wikipedia article Alan Smithee, licensed under CC-BY-SA, full list of contributors on Wikipedia.
After causing the collapse of their own planet, the Anatar people of humanoid aliens who evolved from ducks, are searching for a new celestial body to call a nest. During their wanderings in space they land on Pandono, a place where living beings and nature have found their strange balance. Love, war, spaceships and space ducks are the ingredients of this grotesque modern fairy tale about accepting what is different from us.
A college student’s life takes an unexpected turn when he falls for an actress caught in a dangerous web of control. As their love story unfolds, he is drawn into a high-stakes world where survival becomes the ultimate challenge.
Whichever side he chooses, someone's gonna die. Death row inmate Rudy Salazar cuts a deal he can't refuse: he'll donate his rare bone marrow to a young girl dying of leukemia. In return, his death sentence is commuted to life without parole. L.A. Detective Quin (C. Thomas Howell), the cop who brought Salazar's murderous rampage to an end, sees through Salazar's selfless facade. En route to the hospital, Salazar makes a daring escape. Now it's up to Quin and his sexy partner, Lydia, to bring Salazar to justice one more time and save the life of an innocent little girl before it's too late.
Three generations of the same family deal with the consequences of unleashing the forces of hell.
Ted and his family have just moved to the sleepy coastal town of Gull Island so that he can complete work on his thesis. Everything couldn’t seem more picturesque about their new, seaside home… that is, except for the increasing number of aggressively behaving birds.
A young boy heads off to the Yukon after hearing tales about the Gold Rush, and he forms an unwavering friendship with a heroic Alsatian dog called Buck.
When Kate Sullivan storms a hostage situation, the whole incident is captured on tape by an unscrupulous media crew who edit the footage to show her killing a helpless victim. "Maniac Cop" takes it upon himself to exact revenge upon those who smeared her name.
A huge solar flare is predicted to fry the Earth. Astronauts aboard the spaceship Helios must go to the Sun to drop a bomb equipped with an Artificial Intelligence and a Japanese pilot at the right time so the flare will point somewhere else.
Valerie's (Amanda Peterson) prosecutor mom is trying to put away Adam (Christopher Atkins), an alleged serial killer on trial for murdering six women. But he's so charming that the teenage Valerie just can't believe he really did it, and soon they begin sending each other letters. Adam is caught up in a jailbreak and ends up on the run.
Carlos has failed in show-biz and currently works as a waiter in a Mexican restaurant. There he meets Alex and dumb footballer Bruce celebrating their engagement with her parents. Alex' father is less than thrilled of her fiancée and says he'd rather accept anybody else. Eventually Alex hires Carlos to present him as her new fiancée.
Vowing revenge on the detective who apprehended him, serial killer "Meat Cleaver" Max Jenke returns from beyond the grave to launch a whole new reign of terror.
An anthology film presenting remakes of three episodes from the "Twilight Zone" TV series—"Kick the Can", "It's a Good Life" and "Nightmare at 20,000 Feet"—and one original story, "Time Out."
In the turn-of-the century Texas town of Cottownwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in self-defense, the town leaders decide it's time for a change. That ask for Patch's resignation, but he refuses on the basis that the town on hiring him had promised him the job for as long as he wanted it. Afraid for the town's future and even more afraid of the fact that Marshal Patch knows all the town's dark secrets, the city fathers decide that old-style violence is the only way to rid themselves of the unwanted lawman.