Alan Lomax was an American field collector of folk music of the 20th century.
He was also a folklorist, ethnomusicologist, archivist, writer, scholar, political activist, oral historian, and film-maker.
Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in both the American and British folk revivals of the 1940s, 1950s and early 1960s.
He collected material first with his father, folklorist and collector John A.
Lomax, and later alone and with others, Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminium and acetate discs.
Every American who has listened to the radio knows Guthrie's "This Land Is Your Land." The music of the folk singer/songwriter has been recorded by everyone from the Mormon Tabernacle Choir to U2. Originally blowing out of the Dust Bowl in Depression-era America, he blended vernacular, rural music and populism to give voice to millions of downtrodden citizens. Guthrie's music was politically leftist, uniquely patriotic and always inspirational.
Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
The bayous of Louisiana have combined French, German, West Indian, native American and hillbilly ingredients into a unique cultural gumbo. Cajun Country investigates Cajun's roots in Western France, visits their cattle drives, horse races, and barroom dances in rural Louisiana, and listens to the salty tales and raunchy songs of its black, white, and Indian music-makers. Performancers include Canray Fontenot, Bois Sec Ardoin, Michael Doucet, Octa Clark, Dewey Balfa, and Dennis McGee.
An examination of the talents and wisdom of elderly musicians, singers, and story-tellers, who perform not for fame or fortune but to preserve and share their culture. Stories told by Janie Hunter (80 years old) of Johns Island, S.C.; ballads sung by ex-coal miner and union organizer Nimrod Workman (91), of Chatteroy, W.V.; fiddle tunes and tales of moonshining and feuds from Tommy Jarrell (83) of Toast, N.C.; and footage from the Alabama Sacred Harp Convention in Fyffe, Alabama, in which people of all ages gather to sing old-time shape-note hymnody.
A celebration of New Orleans' musical culture — from its piano bars and barrelhouses to brass bands and street parades, with their colorful, riotous, and symbolic second lines, in which the community plays an essential part in the performance. Shot in the thick of funeral parades and nightclubs, with performances by the Preservation Hall Jazz Band, the Dirty Dozen Brass Band, and Danny Barker, Feet Don't Fail Me Now tells the story of New Orleans' utterly unique and valuable jazz heritage.
Documentary on the life of Woody Guthrie, the travelling songwriter and singer who paved the way for the likes of Bob Dylan and Bruce Springsteen.
An exploration of the musical and social origins of the blues, shot on location in Mississippi in 1978 by Alan Lomax, John Bishop, and Worth Long in association with the Mississippi Authority for Educational Television and broadcast on PBS in 1980. This re-release in 2009 includes two hours of additional music.
A young Venezuelan idealist flees his native land to escape a revolution. Hoping to find peace, he goes to the mountains and the forests of the Amazon. There he encounters Rima, the Bird Girl, an orphan living a life of nature, who is feared by a local jungle tribe.
Padstow, a fishing village on the coast of Cornwall, celebrates May Day with an ancient custom: two osses (hobby-horses) dance through the town streets accompanied by drums and accordions. All Padstownians participate in the event, which has now become a tourist attraction drawing over tens of thousands of annual visitors. Folklorists Alan Lomax and Peter Kennedy and filmmaker George Pickow collected footage at the festival in 1951, producing a pioneering work in the use of sound, low-light photography, and conversational presentation of narrative. A favorite of Margaret Mead, who used it in her classes, the film circulated widely and continues to have influence today, especially in the neo-Pagan community.
A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.