In the final months of World War II, 14-year-old Seita and his sister Setsuko are orphaned when their mother is killed during an air raid in Kobe, Japan. After a falling out with their aunt, they move into an abandoned bomb shelter. With no surviving relatives and their emergency rations depleted, Seita and Setsuko struggle to survive.
The fish market is to be moved to Shinagawa, and Tasuke Isshin (Jun Inoue) got in trouble. Hikosaemon Ookubo (Eijiro Tono) heard of it from Tasuke, and ask about it to Iemitsu (Ken Tanaka). However, on the contrary, Hikosaemon received penitence for a bribe that he doesn't know.
There is an ongoing war between two Girl Gangs, the Akabane 100 Club and the Ikebukuro Cavalry. Yukiko, the "Bankaku," or chief bodyguard of the Akabane, is released from reform school and sets about to finish an ongoing one-on-one grudge match with the Arab Falcon and the whole Cavalry gang. With a theme song by 1970s Japanese "Group Sounds" band Carol, and live performance. Rock and Sukeban unite for an extraordinary and cool piece of filmmaking.
For a girl who works in a 3rd rate bar, Ayuko is full of vanity. Nomura, her patron, is besotted by her and it is their habit that they cannot reach a climax unless they peek at a couple, across the way, making love. Intent on climbing up in the world, Ayuko uses all her wiles to get her patron, who is putty in her hands, to move her from her grubby apartment house to a dreamboat of a place. She then tries to find a place to work more befitting her new home but all the elite night clubs will have nothing to do with her and with time heavy on her hands, the devil finds mischief for idle hands to do.
Set in a Shinjuku bathhouse brothel, the film uncovers the sexual eccentricities of everyday people. Focusing on three female prostitutes, the colorful, unpredictable look into the hidden underbelly of Japanese nightlife is playful but also unafraid to explore the darker sides of the business. The fleeting nature of relationships in such an environment and the consequences of toying with feelings are presented with a melancholy tinge.
Kiyomi, a popular hostess at a bar in Shinjuku, has a traumatic childhood that makes her only sensitive to sexual intercourse with women. One day, the girl she loved as a junior hostess betrayed her and slept with her man. Uncomfortable with men, Kiyomi "swaps places" during sex with her new girlfriend, a trans woman Kaoru.
Kyōko is a woman with a promiscuous past who is sexually unsatisfied with her marriage. Her frustrations lead her to have hedonistic dreams, such as her mother and grandfather having sex together. Seeking to rejuvenate her marriage, she throws a wild party. The ploy is a success.