Paris, today. 38 y.o. Ines, mother of teenage Jules whom she is raising alone, is threatened with eviction. She absolutely must get a stable job to find them a place to live. She is taken on 2 months trial at “Anti-Squat”, a start-up company offering temporary housing in empty suburbs office buildings. But the rules are very strict and the tenants have no rights. As a manager, Ines must live and sleep in the building to monitor the residents. But children are forbidden... She has two months to go, two months to complete her trial period, two months to start a new life at the risk of losing her most cherished values.
Antoine is forty years old. Happily married to a woman he loves, father to two beautiful children, a brilliant lawyer, one could say that he has made a success of his life. But one day Antoine has an unexpected, irrational, and earth-shattering encounter. One that is also a little scandalous as well. Antoine encounters God, something he just did not expect. Not at all ! Nor did his wife.
Not long before World War I, in a French Alpine town near the Italian border, a pack of slaughtered wolves is delivered to local taxidermist Leon (Patrick Chesnais). A surviving black cub comes down from the mountains looking for his family, and is saved from discovery and certain death by Leon’s young daughter Angele, who releases him back into the wild. The Great War comes and goes, making local foundry owners the Garcins rich. Family patriarch Albert Garcin (Michel Galabru), who happens to be Angele’s godfather, has given a free lifetime’s lease of a shack in the hills to a gypsy woman (played in flashbacks by Elisa Tovati in which she’s seen, literally, having dances with wolves on stage). Her son Guiseppe (Stefano Accorsi), who appears to be slightly mentally handicapped, guards the wolves he’s befriended up there, especially the black pack leader he calls Carbone.
In 1917, the old rivalry between a prosecutor and a judge resurfaces during a police investigation into the murder of a child.
This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.