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Edy Muwardi Abdul Aziz bin Abbid (29 November 1929 – 6 November 1980) was an Indonesian actor who is widely known as Aedy Moward.
Aedy usually often played with Benjamin S and Ateng and also played in the very popular film in the 1970s, Inem Pelayan Sexy.
In Inem Pelayan Sexy, Aedy plays the husband of Titiek Puspa who has a beautiful maid Doris Callebaute.
In addition, Aedy also had a major role in the film Aku Tak Berdosa in 1972 and Bundaku Tersayang in 1973 with a famous actor at that time, Rahayu Effendi.
Rhoma is a successful musician, while his elder brother, Dendy, is a successful engineer. Then Rhoma starts a relationship with Rika, the daughter of Alwi, who is the best friend of Rhoma’s father, Hadi. One day, Hadi comes to ask Alwi for Rika’s hand in marriage. Rika mistakenly thinks that proposal comes from Rhoma, but it is Dendy who is proposing. Rhoma, who is currently having a show out of town, is very happy to hear about his brother’s engagement. He decides to rush home, even when his contract with the show has not yet completed. But Rhoma gets into an accident and loses his sight. So when he meets Rika, who has changed her name to Mira, he does not recognise her, not even from her voice. When Rhoma is recovering at the end of his treatment, Rika runs away. When she crosses the street, she is hit by a car and dies. Rhoma is there to witness it all.
Wulan is plagued by a recurring nightmare and is advised to get married to cure herself of it. Unfortunately, her husbands keep dying on their wedding night. Her misfortune becomes the gossip of her neighbors, who then start scheming to kill her. A young religious teacher comes to the village and ends up falling in love with her. But will he be the next to die?
Joki Tobing, a rebellious young man, arrives from Medan and works as a reporter. His reports cause him to be fired by his chief editor, and even his uncle, in whose house he is staying, throws him out. He reports on his uncle’s corruption, which also relates to his own father.
To separate Leila's relationship with Rais, Leila's parents sent their daughter to Paris and arranged her marriage with Roy. Because of Leila's father's employee's trap, Rais got a bad name and was paralyzed because of an accident. So Leila hated Rais and married Roy.
A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.
Love story in which the girl's parents disapprove of her boyfriend because he was accused of killing his former wife.
Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.
The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.
Two businessmen, Burhan and Benny, are rivals and Burhan hires Joko, an ex-convict who is trying to reform. Joko is asked to investigate Benny, through Leila, a hostess that Benny usually goes to. But then Joko and Leila fall in love and things do not go as planned. A accident happens and Leila is shot by Joko. Burhan dies in a car accident while Benny runs away out of the country. The reason of enmity between Burhan and Benny is unclear, nor that of Leila’s role, who knows so much about Benny’s secrets.
Suryani, helps Iskandar find a job and gives him love. But the happiness doesn't last long when Aminah, Iskandar's wife, and child come to see him. Then Suryani disappears while carrying Iskandar's baby in her womb. Six years later, Iskandar, assisted by his secretary Sri, finds Suryani and his daughter, Atik, in a village. Although she is reluctant in the beginning, she finally agrees to go with him to the city. Then Suryani avoids Iskandar and forbids her daughter from seeing Iskandar. When Iskandar's company is about to go bankrupt, Suryani comes to help by selling her house and the shop that Iskandar gave. Then the salvaged company is given to Aminah and her child, while Iskandar goes away to repent.
After hearing the mandate of Sukarno during the Second Asian-African Conference, an author named Suromo searches an art form to express the people’s hardship. Together with a failed painter named Rutaf and a film director named Kadjiman, these artists meet a man who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.
Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.