detail profile adam elliot
Adam Elliot
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Adam Elliot (born 2 January 1972 in Berwick, Victoria, Australia) is an independent stop-motion animation writer and director based in Melbourne, Australia.
His five films have collectively participated in over six-hundred film festivals and have received over one hundred awards, including an Oscar for Harvie Krumpet[2] and the Annecy Cristal for Mary and Max.
Elliot calls himself an auteur filmmaker and each of his films have a bittersweet nature to them.
Based loosely on his family and friends, Elliot calls each of his works a Clayography - clay animated biographies - a portmanteau term of the words clay and biography.
Utilising a large team of animators and modelmakers each film takes several years to complete.
He is noted for his use of traditional 'in-camera' techniques, which means every prop set and character is a 'real' miniature handcrafted object.
Elliot does not use digital additions or computer generated imagery to enhance his visual aesthetic.
His company, Adam Elliot Pictures, produce the films and Elliot’s work practices adhere to the French auteur methodology.
Each film has been voiced by notable actors including, Philip Seymour Hoffman, Toni Collette, Geoffrey Rush, Eric Bana, William McInnes and Barry Humphries.
Elliot is also a voting member of the Academy of Motion Picture Arts and Sciences and in 1999 was awarded The Young Achiever of the Year for Victoria.
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Peran Yang Di Mainkan Adam Elliot
Forcibly separated from her twin brother...
The world of a lonely deaf...
Comedic behindthescenes film for the production...Making Mary and Max 2009
Comedic behind-the-scenes film for the production of Mary and Max, originally released as webisodes.
A tale of friendship between two...
The odd biography of Harvie Krumpet...Harvie Krumpet 2003
The odd biography of Harvie Krumpet, a man who has Tourette's Syndrome, chronic bad luck, menial jobs, nudist tendencies, and a book of "fakts" hung around his neck - but still optimistically lives own way and enjoys the small things life has to offer.
Adam looks back with affection to...Brother 2000
Adam looks back, with affection, to his childhood in a small suburban house, with his mum, his crippled and alcoholic dad, their bird Jeanette, and his older brother, who wears an eye patch, has asthma, and gets blamed for things even when he's not around. The boys are boon companions, swiping money from their napping dad and heading for Ruby's store to buy lollies. They draw, collect cans, and watch the brother's pet lizard eat flies (occasionally giving it a snail). Adam's brother has a collection of cigarette butts, and he has a dream: to be an acrobat like their father was before his accident. Can dreams come true?
Adam tells us the story of...Cousin 1999
Adam tells us the story of an older cousin, who had cerebral palsy. Adam would go over to play, and they'd dress as superheroes, jump off the shed, and run about the the street with an old shopping trolley. Adam explains his cousin's wayward left arm, his strong right one, his aunt's understanding of her son's rages ("bake a cake," she'd tell him), and the boy's love of swimming. On Adam's eighth birthday, the cousins are separated by tragedy; it's left to Adam to wonder about his cousin, and if he still smells of licorice.
A nephew recalls the sometimeslonely and...
Adam Elliots earliest film Human Behavioral...Human Behavioural Case Studies. Series One. 1996
Adam Elliot's earliest film, Human Behavioral Case Studies, is a drawn animation rather than claymation like his other films. It's about unusual human behaviors or obsessions. At only a minute long, it's just long enough to be memorably, darkly amusing.
