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In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?
Theo is living the good life in an upscale Brazilian neighborhood. He’s a hardworking doctor, husband, and father. However, Theo has chosen his career over his family, and little by little he discovers that his world is crumbling around him. His beloved mentor and surrogate father is dying, and his wife announces that she wants a divorce. Yet nothing prepares him for the day when he comes home to discover that his 15-year-old son, Pedro, has disappeared. Theo takes to the road in search of his son. In a journey that leads him throughout Brazil, Theo discovers what really matters to him. Searching for his missing son, Theo finds himself.
Mr. Mario can't distinguish anymore the past from the present. He lives again, inside his own mind, a period of his life when he was a salesman going door to door selling travel guides. However, Mr. Mario has never traveled, but now, an opportunity to see the world arises. Felipe, his grandson, will be his loyal partner on this great journey.
Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.
After losing her job, an unstable woman sinks further and further into a violent fantasy world.
Laura and Alan fall in love, but have to deal with the strange death of Alan's wife and with a rival, Lilith, who wants to break their relationship. At the same time, a narrator gives lessons on how to make a love story movie, exposing all clichés on that kind of film.
Helena and Renato are a couple who leave behind the big city to live in the comfort of a beach house and help Helena recover from her nervous crises. But soon she begins to suffer from increasingly worrying hallucinations, and the house’s appliances begin to come to life. Is it all real or in her head?
Based on the novel "Totônio Pacheco", written by João Alphonsus. At the time of the decadence of the great farms of Minas Gerais, Totônio is a symbol of the golden age of state farms: old and accustomed to having all his wills obeyed. However, after moving to his son's home because of his wife's death and the resulting loneliness, he realizes that he has lost his job as a boss and is struggling to regain his prestige by moving to a brothel.