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Aaron Chow Chi-Kwan (周祉君) is a Hong Kong actor.
He graduated from the University of Otago Film and Television Department in New Zealand.
Has participated in many sets of film and TV commercials.
In 2013, he joined the Sun Entertainment Culture Brokerage Company.
Mei-chun’s family seems to get along on the surface, but everyone holds a secret. Mei-chun desperately wants to see her father again; her brother hasn’t told anyone that he has separated from his wife; and her mother still feels guilty over her husband’s departure years ago. As Mid-Autumn Festival approaches, can the family mend its wounds?
Believing that writing Cantopop is her God-given talent, Law Wing-sze decides to make it her lifelong career. But as hard as Sze tries to polish her lyric-writing skills and expand her social circle, nothing seems to go her way. What if there’s a will, but there’s no way?
Features three short films– Killing Me Softly, No Way Out and Memento Mori – revealing the most terrifying and ugly side of human nature. The final chapter of Tales From The Occult is unpredictable, where life and death are just a thought away.
This anthology film features a triplet of horror stories starring up-and-coming actors and popular local Youtubers. When a film crew is haunted by paranormal activities, the director decides to cast her to play a ghost; When a taxi driver takes his girlfriend to a party room to get it on, a horny ghost adds spice to the proceedings; When a wandering ghost refuses to leave a soon-to-be-gentrified mall, the tenants concoct a plan to send her off.
When Hong Kong is rocked by multiple gruesome murders, the police forms a task force to investigate. Jun, once a brilliant detective who suffered a mental breakdown, begins his own investigation. Eventually, the police learn that the murder victims are all suspects of cold cases being rubbed out by a figure known as "The Sleuth". Now, Jun and a detective from the task force are on a race against time to beat the brutal killer at its own game.
Jointly presented by Hong Kong’s four renowned film companies - Sil-Metropole Organization, Emperor Motion Pictures, Media Asia Film and One Cool Film Production - Look Up is a Sil-Metropole Organization production produced by John Chong and co-directed by young filmmakers Daniel Chan, Tim Poon, Elvis Hau and Sunny Yip. The film runs through four Hong Kong Stories from 1997 to the present, to detail the days we have passed through these years.
A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other's company.
After suffering life changing injuries in the line of duty, bomb disposal officer Fung turns his back on the police. But when a devastating series of bombings sweep Hong Kong, the police suspect their former ally may be involved after he is found unconscious at a crime scene. Now faced with memory loss and recalling only fragments of his former life, Fung sets out to uncover the truth and find out who he really is.
A loser single father learns that lesson the hard way when he becomes gifted with the power of seeing one second into the future. When his ability is exposed, a boxing buff persuades him to use his power in the boxing ring. After reviving Hong Kong’s vampire genre as the co-director of Vampire Cleanup Department, Chiu Sin-hang combines the boxing genre with a refreshing dash of fantasia in his thrilling solo directorial effort.
In this classic whodunit, a police detective must rely on the only witness - a parrot, to catch the killer of an armed robber.
Hong Kong is just a ridiculous place full of lies. In this prosperous city, there are a group of people that have to live in the ‘space capsule’, which is a large seminar room subdivided into small living rooms. In such a small living space, this group of people all struggle to fight for their ideal lifestyle which reflects the spirit of Hong Kong.
A mosaic film of three stories in three different Asian cities where the paths of the rich and poor cross one another in and around taxis. A closeted Beijing cab driver tries to seduce a rich passenger, a Hong Kong pregnant trophy wife starts to develop feelings for her new Indonesian maid and a Jakarta slum orphan becomes infatuated with a Western female backpacker. All three characters desperately want to connect on a basic human level but are their own worst obstacle.
An elite team of six female rookie police recruits fails to graduate as they resist to retreat in the final test when the situation gets out of hand. But their eminence provides them with another opportunity – “The Rafflesia”, a special female force that was disbanded 25 years ago when the mission failed, which is now looking for new blood to resume operation. Their first mission is to capture the notorious triad leader “President”, who caused the disbandment of “The Rafflesia” 25 years ago. He takes hostage of medical scientist Yoshida for his knowledge in virus to threaten different countries and ultimately plot a physical robbery. Eager to become real police officers, the girls accept the offer despite the level of danger involves.
Realising that he will be defeated in no time during a police showdown, a thug shoots himself to force the cops to cease fire and take him to the hospital. In the hospital, he claims human rights to refuse immediate treatment in order to buy time for his underlings to rescue him. The detective in charge sees through his scheme but decides to play along so as to capture his whole gang once and for all.
An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
Two former lovers find themselves irresistibly drawn back together — despite the fact that each of them is engaged to someone else.