This is the second Zagor movie starring Levent Çakir. In this one he fights pirates!
Yumurcak is a very naughty boy, living with his father Nihat who is a cab driver. One day a bar singer named Aysel gets on his car, escaping from someone. Nihat saves her and becomes her driver. Bekir who is the partner of the bar, fancies Aysel and he is very jealous of her. Another gangster kills him and puts the blame on Nihat. Yumurcak's mother Selma, having learned the news, walks carelessly on the street and gets hit by a car in an accident and becomes blind. Yumurcak finds the gun of the crime in the garden, takes it to the judge and asks for his father's release. Bekir tries to escape and he kidnaps Yumurcak. However Nihat and the inspector reach just in time. Yumurcak and his family return to their happy days.
Kenan is brought up by his foster father, Azmi Bey. As he grows up, he falls in love with Azmi Bey's beautiful daughter Nalan. Nalan is diagnosed by Pleurisy, which leads to a series of tragic event.
The father of a flirtatious woman makes an offer to a young man, to protect her daughter.
Suleyman works at a gas station. One of his customers Kenan, who is a businessman, asks him to be his bodyguard. Suleyman is in love with Oya. Kenan wants to prevent their marriage and makes a plot with his brothel girl Cicek. Cicek has an affair with Suleyman and Kenan takes their photos. As Oya sees the photos, she leaves her job. Kenan gets her to work for his relative Leman who is a tailor. Suleyman quits his work and searches for Oya though without success. Oya gets to know about Leman and Kenan's evil plans and she gets seized on her attempt to escape. Cicek informs Suleyman about Oya's whereabouts. Everybody gets organized to save her and they succeed. Cicek shoots Leman and Kenan at the expense of her own life.
Based on a comic novel, this Turkish fantasy movie shows some resemblance to Casper.
After the release, Iki Gemi Yanyana (Two Ships Side by Side) stirred controversy over its treatment of lesbians, showing two women kissing each other on the lips (later, in Dul BirKadın (A Widow), director Atıf Yılmaz took up the same theme again). This scene creates a moment of interest in this otherwise conventional film.