Chloe and Alessandro are two 30-year-old, longtime friends living together in a large apartment. Chloe works for a culinary recipe publisher, while Alessandro is an up-and-coming painter. Although their friendship is strong, they have very different approaches to relationships. Chloe is constantly searching for her Prince Charming, while Alessandro, living openly as a gay man in a small town, navigates life with maturity despite the challenges. Their dynamic shifts when Roberto enters their lives. The three become inseparable, each learning from the others: Roberto sheds his bigotry, Chloe finally finds happiness, and Alessandro is content seeing them both fulfilled. But their balance is tested when Chloe finds out she’s pregnant.
End of the 70s in the Treviso area. Two decisive moments in the lives of three teenagers of the Bottacin family: Primo, Anna and Tiberio. The passage from puberty to pre-adolescence experienced between first loves and rugby matches and that from the world of the countryside to the world of the city.
Unable to process the death of his daughter, Detective Boyd embarks on a hunt for a serial killer who murders according to a brutal tribal ritual: Muti. The only person who can help Boyd is Professor Mackles, an anthropologist who hides an unspeakable secret. The line between sanity and madness thins as Boyd goes deeper into the killer’s world.
Back from the hospital where he has been treated after a heart attack, Lorenzo is on his way upstairs to his top-floor apartment in Naples when he meets Michela. The charming young woman, who has just moved to the facing apartment, has forgotten her keys and finds herself locked out. Cynical and grumpy, the retired lawyer who has been living estranged from the rest of the world, should normally leave her to her fate but he mellows under her spontaneous charm. He helps her, becomes friends not only with her but with her husband Fabio and their two children. For once, the self-declared misanthropist seems to be experiencing the long forgotten feeling of empathy.
Giuseppe Moscati, Doctor saint of Naples, was a doctor of the early twentieth century, from an aristocratic family devoted his career to serving the poor. The film focuses on the human side, partially leaving aside the spiritual part.