Pablo, a 12-year-old boy, receives a scholarship to attend school in the mysterious and isolated Colonia Dignidad established in Chile by German settlers. It seems to be quite a privilege for a kid like him, and he quickly becomes the favourite of the leader of the colony, Uncle Paul. Over time, Pablo witnesses some kind of strange things which happen there and make him act differently than the other students.
On the assembly line red cans go by. The worker repeats the same sequence of movements. One day, he takes a can from the line and reads the instructions for use. Acting and working are industrial exercises. Everything that needs to be said, is said in the locker room.
With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.
Ricardo Bar (22) is a young man who lives with his family in a little farm, in the border of Brazil and Argentina. There is mainly the jungle and the settlers, descendants of German immigrants. Ricardo doesn't want to inherit his father's land; he wants to become a pastor. Problems begin when Ricardo and the community tell the directors to stop shooting and leave. From that moment on Ricardo Bar tells two stories: one about a deal, the directors' offer to Ricardo in order to be able to shoot the film, and the other about Ricardo's life at this moment, his reaction to the director's offer, reenacted for the camera.
Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.