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Alexander Mackendrick (September 8, 1912 – December 22, 1993) was an American-born Scottish film director and screenwriter.
He directed nine feature films between 1949 and 1967, before retiring from filmmaking to become an influential professor at the California Institute of the Arts.
Born to Scottish immigrant parents in Boston, he was raised in Glasgow from the age of 6.
He began making television commercials before moving into post-production editing and directing films, most notably for Ealing Studios where his films include Whisky Galore! (1949), The Man in the White Suit (1951) - which earned him an Oscar nomination for Best Screenplay, The Maggie (1954), and The Ladykillers (1955).
In 1957, Mackendrick directed his first American film Sweet Smell of Success, which was a critical and commercial success.
However, his directing career declined throughout the following decade, and he was fired or replaced from several projects, owing in part to his perfectionist approach to filmmaking.
Mackendrick retired from directing in the late 1960's after completing A High Wind in Jamaica (1965) and Don't Make Waves (1967), becoming the founding Dean (and later a Professor) of the CalArts School of Film/Video.
In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.
Mackendrick on Film is an educational project constructed around the film teachings of legendary pedagogue Alexander Mackendrick. Taking as its starting point Mackendrick's body of written work contained in his book On Film-making: An introduction to the craft of the director, Mackendrick on Film is a structured 'illustrated lecture' that features never-before-seen footage of Mackendrick at work in the classrooms and studios of the California Institute of the Arts, new interviews with former students and colleagues, extracts from archived interviews with Mackendrick about his career as a teacher of cinema, rare photos, and a selection of his student handouts, storyboards and sketches.
Stephen Frears and a quartet of film industry notables - representing different cinematic periods - drink tea and discuss ups and downs of British cinema.
Documentary about the British film studio. First appeared on the BBC television programme Omnibus.
This 1986 documentary features interviews with director Alexander Mackendrick, actor Burt Lancaster, producer James Hill, and others.
The story of the men and women who produced a series of film comedies that were so original and funny that they put Ealing on the map.
In 1870, a Jamaican colonial family sends its children to Britain for proper schooling, but their ship is taken over by pirates, who become fond of the kids.
After he is orphaned by an air raid on Port Said during the Suez Crisis, a young boy attempts to go by himself from the Suez Canal to Durban in South Africa where his nearest relative, Aunt Jane, lives. On the way he meets a variety of different people who help or hinder his journey - including an ageing diamond smuggler.
In the small Dutch village of Lagerheide, two members of the local brass band get into a fight, forcing the band to be split in two. The two hotheads and their followers are doing their utmost to sabotage each other’s attempts at becoming the band who will represent the village at the upcoming brass band competition.
New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan, who is in a relationship with aspiring jazz guitarist Steve Dallas. Hunsecker strongly disapproves of the romance and recruits publicist Sidney Falco to find a way to split the couple, no matter how ruthless the method.
The poor, elderly—and the wily, when it comes to parting those who can afford it from their money—Scottish skipper of a broken-down old 'puffer' boat tricks an American tycoon into paying him to transport his personal cargo. When the tycoon learns of the trick, he attempts to track down the boat and remove his possessions.
The unassuming, nebbishy inventor Sidney Stratton creates a miraculous fabric that will never be dirty or worn out. Clearly he can make a fortune selling clothes made of the material, but may cause a crisis in the process. After all, once someone buys one of his suits they won't ever have to fix them or buy another one, and the clothing industry will collapse overnight. Nevertheless, Sidney is determined to put his invention on the market, forcing the clothing factory bigwigs to resort to more desperate measures...
Episodic tale of four factory girls and their various romances at the local dance hall in Chiswick, London. Unusual at the time, the film tells its story from a feminine perspective. Today, it is mainly recognised for its post-war London atmosphere, with bomb sites, trolleybuses and rationing.
Based on a true story. The name of the real ship, that sunk Feb 5 1941 - during WWII - was S/S Politician. Having left Liverpool two days earlier, heading for Jamaica, it sank outside Eriskay, The Outer Hebrides, Scotland, in bad weather, containing 250,000 bottles of whisky. The locals gathered as many bottles as they could, before the proper authorities arrived, and even today, bottles are found in the sand or in the sea every other year.
Sophie Dorothea is a young woman forced into a loveless marriage with Prince George Louis of Hanover. George Louis is later crowned King George I of England. Despairing of ever experiencing true love, the depressed queen finds life at court no solace. Sophie then falls for a dashing Swedish soldier of fortune, Count Konigsmark.
When a reporter is killed under mysterious circumstances, the political cartoonist on his paper begins to investigate on his own. He finds that a vengeful industrialist may be trying to manipulate an international peace conference to stage a bombing attack on London.